top of page

BIBLIOGRAPHY [selected]

2023      

 

Susan Potter 'Il diverso (the different one)', Framework: Journal of Cinema & Media, US, Vol 64, No. 1

 

 

2017      

Nina Möntmann & Måns Wrange (2017), Magic Bureaucracy. Tensta Konsthall, Stockholm, Sweden

Alba Baeza, ‘Måns Wrange at Tensta Konsthall’. Flash Art, Milan, Italy

 

Mark Amery, ‘Thick Cinema’. Eye Contact, New Zealand

 

Janelle Evans, ‘The Symbolic Meaning of the Dot’. Art Guide Australia

 

Georgina Tarren-Sweeney, ‘A Liminal Journey. The Thickness of Cinema, Circuit, Wellington, New Zealand

 

Mercedes Vicente, ‘Thick Cinema’. The Thickness of Cinema, Circuit, Wellington, New Zealand

 

2016    

Alia Di Paolo, John Di Stefano’s Indeterminate Spaces’. Out of this World, Wright Art Projects, Sydney, Australia


Sarah Patricia Hill, ‘Double Exposures: The Photographic Afterlives of Pasolini and Moro’. Modern Italy, Cambridge, UK


Aleksandr A. Wansbrough, ‘Archaeological Journeys: John Di Stefano’s Bandiera Nera’. Alphaville - Journal of Film & Screen Media, UK

 

Frederico Camera, ‘John Di Stefano’s Bandiera Nera’. Australasia Journal of Popular Culture, Intellect, UK

2015    

İnan Suna & İpek Kıraç, This is Not a Love Song. Pera Museum, Istanbul, Turkey

Gary Sangster, ‘Critical Intent’, Tactical Imaginary. SCA Galleries, Sydney, Australia

Gary Sangster, ‘In Theory, Bandiera Nera. SCA Galleries, Sydney, Australia

 

2013    

 

F. Javier Panera, This is Not a Love Song. Virreina – Centre de la Imagen, Barcelona, Spain

2012    

 

Elspeth Kydd, ‘Looking for Home in Home Movies’. The Cinema of Me, Wallflower Press, London, UK

 

2011    

 

Ani Maitra, ‘Hearing Queerly: Musings on the Ethics of Disco/sexuality’. Continuum - Journal of Media & Cultural Studies, UK

 

Mark Amery, ‘Construction of the Subject. Eye Contact, New Zealand

 

Mercedes Vicente, The Elliptical Return. Enjoy Public Art Gallery, Wellington, New Zealand

Georg Elben, Videonale.13 – Contemporary Video Art. Kerber, Bielefeld, Germany

Mario Hibert, ‘Re:versus’. Human Rights Film Festival, Sarajevo, Bosnia-Herzegovina

2010    

Martin Patrick, Reconfigured Realities. Project Space – RMIT University, Melbourne, Australia

Hanna Scott, ‘A Rough Guide to a Lonely Planet’. Sightseeing, Rim Publishing / Goethe Institute, Auckland, NZ

 

2009    

 

Kelly Dennis, Art/Porn: A History of Seeing & Touching. Berg Publisher, Oxford, UK

2008    

F. Javier Panera (2008), Rock My Religion, Domus Atrium, Salamanca, Spain

2007    

Mark Amery, ‘There’s No Place Like Home’. Massey Research Journal, New Zealand

Yong-Soon Min (2007), Exquisite Crisis & Encounters. Asian/Pacific/American Institute, New York University, US

2006    

 

Thomas Waugh, The Romance of Transgression in Canada. McGill-Queen’s University Press, Kingston, Canada

 

Lucas Hilderbrand & Kate Horsefiled, Feedback. Temple University Press, Philadelphia, US

2005    

William McAloon, ‘The Arrival Lounge’. The Listener, Auckland, New Zealand

Simon Rees, ‘Changing Address’. Visit, Govett-Brewster Art Gallery, New Zealand

2004    

Laurence Simmons, ‘Passion for Pasolini’. Illusions - Journal of Moving Image & Performance Criticism, New Zealand

Maeve Connolly, ‘Life in a Departure Lounge’. Transit: 2004 Fringe Festival, Dublin, Ireland

 

Alice Ming-wai Jim, ‘Screen Structures: Media Art in Hong Kong’. Hong Kong Yearbook 2004. Hong Kong Arts Council

 

2003    

 

Kate Griffin, Texts & Subtexts. Moving Image Centre, Auckland, New Zealand

2002    

 

Nicolas Mavrikakis, ‘Contre L’Oublie’. Voir, Montréal, Canada

Sascha Hastings, ‘Peerless Pier’. Now, Toronto, Canada

Lyne Crevier, ‘Tenebreuse Affaire’. Ici, Montréal, Canada

 

Sherry Simon, Deviant Translations. Articule, Montréal, Canada

Will Kwan, Another Version: John Di Stefano’s Redeeming Translations. A Space Gallery, Toronto, Canada

2001    

 

James Meyer, ‘Top Ten of 2001’. ARTFORUM, New York, US

 

1996    

 

Laura U. Marks, ‘Straight Women, Gay Porn & the Scene of Erotic Looking’. Jump Cut - Review of Contemporary Media, US

 

Patrick Rumble, Allegories of Contamination. University of Toronto Press, Canada

 

Chris Straayer, Deviant Eyes - Deviant Bodies. Columbia University Press, New York, US

1995    

Cameron Bailey, ‘Videos Eye Economics and Bodily Functions’. Now, Toronto, Canada

Andrew Patterson, Corporeal Economics. Mercer Union, Toronto, Canada

 

1994    

Ernest Larson, ‘Laughing Matters Out of Place’. Exposure - Journal of Society for Photographic Education, Cleveland, US

 

Christen Torben, Into the Lapse. Royal Danish Academy of Art, Copenhagen, Denmark

 

1993    

 

Jennie Klein-Davis, ‘Jump-Starting Masculinity’. Afterimage - Journal of Media Arts & Cultural Criticism, Rochester, US

 

1992    

Laura U. Marks, ‘Images and Identities’. Afterimage - Journal of Media Arts & Cultural Criticism, Rochester, US

Katherine & Mick Hubis-Cherrier (1992), New Art Examiner, Chicago, US

Luc Boulanger, ‘Le Corps Politique’. Voir, Montréal, Canada

 

Huey Lentz, Queer Bodies. Evergreen State College, Olympia, US

 

1991    

 

Barbara DeGenevieve, No More Heroes. SF Camerawork, San Francisco, US 1990

 

 

1990

 

Angela Murphy, ‘Social Issues in the 90's’. Arts Journal, Toronto, Canada

Emmanuel Cooper (1995 2nd. Ed.), Fully Exposed. Unwin Hyman, London, UK 1989

 

 

1989

André Martin, ‘John Di Stefano’. Parachute, Montréal, Canada

 

Sylvain Campeau, ‘Espaces Révélateurs’. Parachute, Montréal, Canada

 

1988    

 

Cheryl Simon, Désirs – Idées. Canadian Cultural Center, Rome, Italy

1986    

 

Martine Meilleur, ‘Interface III. Parachute, Montréal, Canada

 

Carole Brouillette, ‘O’, ‘Le mythe du mystère: à conserver svp’. Interface III: Artist Power, Montréal, Canada

 

Joanne Lamoureux, ‘L'Objet Livre’. International Artists' Book. Galerie Aubes, Montréal, Canada

bottom of page